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Tribal art
“I in the vicinity of Strasbourg’s Studio is a large industrial wasteland, where nature back to life, also in cities who made the temporary dwelling place. A woman living in an old trailer, I stumbled on her zhizhe crutch begging in the town.
No spam and no this piece of waste ground, one day I found a rusty metal plate, I painted the beautiful girl silhouette.
The other day I came across a bottle cap Hill. Very strange, I always find these rusty lid, when I started my art tribes, is the cover made me gusto, which was my original print material, for example if the rust vaguely have a mask on a shape that emerges, I will deepen a Groove make the topic more clearly.
Materials running out, I went to the traffic flow on the highway of collecting coke cans, they were large trucks into interesting shapes, if not flat enough I just let them be more flat truck. I would like to thank those people who drive for work together. After my material was wood and aluminium.
20th century of ready-made went into the field of art, after Picasso and Braque and Kurt Schwitters and others special experience and practice, at one o’clock in the evening to break new realism to a more unbridled. (JF. Baltzen printmaking exhibition, now until early next year, starting from three o’clock in the afternoon of the day, in Taipei, lane 37, Yongkang Street, Mei ‘ s Tea bar display details contact: 02-23942425. )
Translation from Steven Bradbury
Aigle pêcheur des Puxides
Léopard la nuit des Puxides
Crocodile des Puxidest
Léopard des Puxides
Masque des Sonachefes
Masque des Kakobos
Masque des Ironites
Masque des Kakobos
Masque des Puxides
Masque des Puxides
Masque Sonachefes
Masque aux dents des Ironites
Masque porte des Puxides
Origine du monde Ironites
Masque T Kakobos
Poulie des Puxides
Poulie Malevitch
Poulie métier à tisser de R
Poulie métier à tisser de P
Poulie tisseran à quatre pouces
Poulie tisserand à trois mains
Roi guerrier des Puxides
Reine T des Aluminites
Roi T des Aluminites
Statue des Puxides
Un vrai mec
Quel plaisir d’avoir de vos nouvelles, et quelles nouvelles !!! Une exposition et une exposition qui plus est dont l’intitulé, comme le lieu, laissent présager d’un climat joyeusement décalé, ouvert et salutairement stimulant. Je suis absolument ravie pour Vous … bien que les images nous manquent cruellement. Mais nous aurons, je n’en doute pas, d’autres occasions de les découvrir.
Avec tous mes vœux les plus chaleureux de succès et de plaisir pour ce moment important, cette occasion de partager avec d’autres ce travail de création.
En vous souhaitant le meilleur et surtout de continuer longtemps à prendre le temps de jeter sur les choses et sur le monde un regard salutairement impertinent.
Chaleureusement de nous tous,
Dr. Brigitte D’Hainaut-Zveny
Université libre de Bruxelles
Département Histoire, Art et Archéologie
Brussels Belgium.
The 23 octobre 2011
“What a pleasure to hear from you, and what a news!!! An exposure and an exposure besides among which the title, as the place, lead to predict of a cheerfully moved, open climate and wholesomely stimulating. I am absolutely delighted for You although the images are sorely lacking to us. But we shall have, undoubtedly, other opportunities to discover them.
With all my warmest wishes of success and pleasure for this important moment, this opportunity to share with one others this work of creation.
By wishing you the best and especially to continue for a long time to take time to look on things and on world a wholesomely impertinent look.”
Original text
我在史特拉斯堡的工作室附近是一大片工業廢棄地，大自然在那裡恢復生機，也讓都市邊緣人有了暫棲之地。一位女士住在一輛舊拖車裡，我撞見她支著拐杖在城裡乞討。
沒有垃圾也沒有廢棄物的這片地上，某日我尋獲一塊生鏽金屬板，我描繪了美麗女孩的側影。另一日我碰到一座瓶蓋小山。很奇怪我總是找到這些生鏽的蓋子，當我開始我的藝術部落，就是這些蓋子讓我興致勃勃的，它們是我最初的版畫材料，舉例說如果鐵鏽上隱約有個面具形狀浮現，我就加深凹槽使主題更清楚。材料用盡，我就到車流量大的公路上撿拾可口可樂罐子，它們被大卡車壓成有趣形狀，如果不夠扁我就讓它們被車壓得更扁。我要謝謝那些開車的人的共同合作。
之後我的材料是木頭和鋁。20世紀現成物走進了藝術領域，經過畢卡索和布拉克以及Kurt Schwitters等人的特別體會和實踐，更晚一點來到新寫實主義就更突破更肆無忌憚了。
（JF. Baltzen版畫個展，即日起至明年初，每日下午三點起，在台北市永康街37巷16號，Mei’s Tea bar展出，詳情洽電：02-23942425。）
